Dirty New Media took place on Thursday 21st March at The Barber Institute of Fine Arts. It was one of the most adventurous exhibitions that I’ve curated!
All of the performers, lecture-deliverers and artists that got involved (more below)
And last, but not least, thanks to you, the audience, for travelling from the far reaches of England to attend Dirty New Media! You helped to make it a success!
Here’s a list of all of the works/pieces/artists included in the programme, should you want to check out more:
Jon Cates – WTF?! is D1RTY N3W M3DI∆?!
(For those that didn’t get one, Jon’s PDF, 1337 ¥³4Γ$ øƒ D1RTY N3W M3DI∆: 2005 – 2012 CH1C∆Gø, can be downloaded from GL1TCH.US) Dan O’Hara – An Irregular and Spasmodic History of Glitches and other Systemic Stutterings
A big thanks to Lawrence Lek for putting together BYOB London 2013. There was a great selection of works, ranging from projection-mapping, generative art and even artware.
Co-directing FRAME_birmingham revealed to me many problems that I never usually face when working digitally. On screens, that are sometimes no bigger than our palm, we’re able to wander through a seemingly infinite space and control and change everything we see at our leisure with only the click of a mouse or tap of a screen.
With the FRAME_birmingham rehange I didn’t have such control. There were no “handles” with which to resize pieces, nor could the size of the room be changed in a menu item.
This lack of control, whilst intimidating at times, forced me to take a creative approach to arrangement.
On Saturday 2nd February myself and 15 other artists/hackers/tinkerers/people descended upon West Bromwich to hack The Public. A little more about what it actually is:
The Gallery Hack Camp is a new initiative developed by The Public and the first delivered in February 2013. It will bring together artists, producers, creative entrepreneurs and technologists from across the West Midlands and wider United Kingdom.
We aim to develop new ideas at the intersection of art, technology and culture. Setting out to make new work which you would like to see in a gallery of the future. It is also intended to be an active community of peer learning and development.
I was personally interested in converting the railings that go along the walkway into a kind of guitar or harp. All that you’d need is a vibration sensor hooked up to an Arduino that would trigger a sound to play on Pure Data. Easy, in theory…
It was very interesting to see that most of the other ideas ignored the infrastructures already in place for installations and instead either worked around them, or were situated in unlikely places
Me and David.Checkley doing very safe things. Don’t tell the HSE!
No thing has been developed for this yet, but hopefully one of the may exciting ideas developed over the weekend will be making its way to The Public soon!
Peterborough Museum has published a monograph of the work of Michael Takeo Magruder, entitled Remediations. It covers various projects that he produced between 2000-2010.
One of the projects (or two, depending on how you interpret it) of his that I was involved in was Changing Room v1.0 in 2009 and v2.0 in 2010.
In these projects, myself and several artists were given the opportunity to construct a virtual exhibition in a Second-Life remodelling of Eastside Projects (v1.0) and an empty green space (v2.0). I’d never worked in Second Life before, or any virtual work for that matter, so it proved to be quite a challenge but still very enjoyable!
My only confirmed gig of this year will be to provide visuals at SuperByte Festival on 13th and 14th September. Even though the festival is months away, the line-up already includes many great chiptune/8-Bit Sabrepulse, Ultrasyd and 8GB!
The first SuperByte took place in September 2012, and I was there to perform with Freecode:
To make the festival happen this year, the organisers have launched a Kickstarter campaign to raise £2000. With 26 days to go, there’s only £953 to go! Go spend your money!
2012 was a very surprising year. 2011 was definitely exciting, but this year saw me travelling a lot more and making links with people all over the world. Here’s most of what I got up to this year.
January
As usual, January was a quiet month, with one exception: In addition to helping to organise Network Music Festival, I did two performances: one with BiLE and the other with Freecode.
February
I started this month with my graduation ceremony. I had finished my MA in Digital Arts in Performance at Birmingham City University in October 2011, so it was nice to have a proper send-off!
Later that month I made my first international trip to take part in the Co-Position meeting for the Libre Graphics Research Unit in Brussels, Belgium. It was great to see the guys at Constant again and to many other practitioners, thinkers and hackers that are interested in open source software tools for the creation of art.
As soon as I came back work from international glitchers, myself included, were included in the Bus Tops exhibition that took place around London. Here’s a short video.
March
BYOB Birmingham, which took place as part of Flatpack Festival, was the main focus for this month. Myself and Pete Ashton brought together 18 artists from around the UK, 23 projectors and three musicians to VIVID for one night of video projection. It was a highly successful event and a great way to start my year of curating exhibitions.
April
When I’m not glitching, one of my favourite things to do is cycling-related activities. Papergirl is an idea that originated in Berlin in 2005, where rolls of art are distributed on bicycles to an unsuspecting public!. Kate Grundy, with support from 48 Sheet, made Papergirl Birmingham happen. On 28th April lots of cyclists gathered to distribute art!
I supplied some prints from I Am Sitting in a Room. Some unlucky person in Birmingham has these!
May
Another quiet month for my digital art. I played a small part in organising the The Big Vintage Ride. More than 100 people, dressed in their best vintage attire, cycled across the busy streets of Birmingham on a hot May afternoon.
Something In The Water, a magazine by Ross Cotton that I provided a few illustrations for, also came out this month.
June
June started with my biggest VJing gig to date. Com Truise toured the UK to promote his album, Galactic Melt. I provided visuals for his gig at The Bull’s Head in Birmingham. Here’s a sample of the visuals that I did:
After this, the second of my curatorial projects took place. TOYBOX was an exhibition with TROVE that drew upon the industrial history of Jewellery Quarter in Birmingham and the different interpretations of the word “toy”. There were plenty of hacked and reinterpreted toys, videos and performances:
I also showed off some generative self-portraits, entitled CóRM
August
Despite the pouring rain, BYOB Leicester happened. It was great to meet other digital artists from/based in my home town and was cool to meet hexler as well!
I then used my tech skills for something other than glitching and performing! For the week of 6-12 August I was working with 3D Native to help a group of under 18 year-olds to build apps for the Young Rewired State Festival of Code.
The team sadly didn’t win any prizes but it was amazing to see the skills of these youngsters, some of whom had started coding since age 6!
Finally, this month saw the world premier of Mittwoch aus Licht/Wednesday from Light. For the Orchester-Finalisten/Orchestra Finalists section, Birmingham Opera Company asked me to make a video with Ember Television that responded to a piece of audio. Here it is below:
September
I started this month in Manchester in the presence of many chiptune and 8-bit musicians. On 1st September I did my final gig with Freecode at the first SuperByte festival.
It was a very fun night, and I was happy to meet some of my internet friends, including Henry Homesweet.
It was the biggest BZF yet and was very well received by exhibitors and attendees! There’s lots of photos on Flickr.
I stayed up till 4am the following day (14th) to catch a plane to Arles, France to take part in Databit.me for a week. In addition to taking place in a very beautiful small town, the festival itself was amazing!
Lots of artists travelled from many corners of Europe for a week of performances and digital experiments. The festival saw me give a Pure Data tutorial, a lecture and I also did my first solo audio and visual performance. I’m planning many more, so watch this space!
November
With no time to rest, I jumped straight back into action! I gave a Pecha-Kucha style presentation about glitch art, my other work and being a Birmingham-based artist at “Brand” New Generation on the 1st.
Despite there being a few technical glitches (oh, the irony!) the presentation was well received. You can watch a recording of it on YouTube
The next day it was time for another festival! Flip Festival is an annual animation and digital art festival that takes place in Wolverhampton. In 2011 I curated a small screening of glitch videos in preparation for GLI.TC/H 20111. This year I did much more! On the 2nd I gave another Pure Data workshop, followed the next day with the curation of another event! The People VS The Machine was a night of livecoding and live illustration, loosely themed around a cyborg uprising!
Shortly after this, on the 17th, FRAME_birmingham launched. The exhibition features artwork from 40 international artists exhibited at venues across the centre of Birmingham. Three images from Some of My Favourite Songs were chosen to be part of this:
The exhibition continues until February 2013, and all of the works are for sale.
I then launched Comic Sans Must Die, which was a short project that progressively destroys everyone’s most hated font!
To round off this month I took part in the Midlands Experimental Moving Image Collective’s first exhibition.
December
December is usually a very quiet month, but thanks to the generosity of a friend (thanks, Jon!) I jetted out to Chicago for the third annual GLI.TC/H conference/festival/beerfest/gathering on 6-9th. You may remember that the festival stopped off at Amsterdam and Birmingham last year. This year it stuck to its Chicagoan roots for a very intense four-day event.
For the event I gave another Pure Data workshop (noticing a theme?) and I teamed up with Daniel Purvis to present, amongst other things, AlphabeNt. It’ll be out very soon, honest!
GLI.TC/H was great, and I already can’t wait to be back in Chicago!
2012 really did take me by surprise. I can’t pinpoint one particular moment that was amzing. I really loved being around all of my peers and friends and making lots of new ones. I wonder how 2013 will turn out…
FRAME_birmingham, the three-month long exhibition of artwork by national and international artists at venues across Birmingham, is now in its second month. Fade to Daft has been taken down from the Penfold Grange Suite of Hotel du Vin, but it can still be purchased online for £180. The next piece in that series, Plenty, can be seen in Birmingham Central Library, near the entrance to the lending library. The image is an image remix of the song Plenty by Rob Crow/Thingy.
Installation of Plenty. Photo by Kevin Middleton/Clarke Gallery
Plenty at Birmingham Central Library
If you’re looking for ways to spend your Christmas money you can purchase the work for £180 mounted and unframed or for £230 with a frame.
