Tag Archive for 'Birmingham'

GLI.TC/H Birmingham

Published on 05/12/2011 in Blog. 0 Comments Tags: Birmingham, gli.tc/h, glidottcslashh, thanks, w00t.

GLI.TC/H Birmingham happened on 19th November at VIVID and I’ve only just had time to recover from it.

As the curator of GLI.TC/H Birmingham I’d like to give my own set of thanks:

Arts Council England for supporting GLI.TC/H Birmingham.
Birmingham City University, in particular two staff members:
- Gregory Sporton, for supporting the event, even if he doesn’t quite get what it all is!
- Lorna Hards, whose course, Methods and Models of Curatorial Practice, gave me the confidence to curate GLI.TC/H Birmingham
VIVID, for accepting the proposal for GLI.TC/H Birmingham to be part of their “The Garage Presents…” programme and for providing an amazing space to hold this event in as well as technical and programming assistance
The GLI.TC/H Bots (Rosa, Nick and Jon) for being great friends and for allowing me to curate GLI.TC/H Birmingham. Moar thanks to Jon Satrom and Nick Briz for traveling to all three GLI.TC/H events (Chicago, Amsterdam and Birmingham)
Flip Festival, for hosting a great night of GLI.TC/H video previews. Photos/programme available here
Leon (Chromatouch), Pete and James and Sarah, for being great assistants and filling in gaps that I overlooked.
fizzPOP, for being a great hackerspace and providing assistance in the workshops
All of the artists that gave workshops, delivered lectures, performed or had videos/bumpers screened at GLI.TC/H Birmingham.
All of my friends that attended GLI.TC/H Birmingham or supported it in another way. I know that a lot my friends don’t quite understand glitch art, so it was great to see them at it!
And last, but not least, thanks to you, the audience, for traveling from the far reaches of England (and in some cases the world) to attend GLI.TC/H Birmingham. I hope that the day gave you a better insight into the world of technological failure!
I was personally pleasantly surprised by the turnout throughout the whole day, to the point that we ran out of seats! So, thanks for making it a great success

Videos of all of the performances and lectures are available, thanks to Pete Ashton, on this YouTube playlist. Here’s the video of Jon Satrom’s prepared desktop:

Pete also took photos for the event and many more are available in the GLI.TC/H Flickr group. If you have any photos please add them to this group! Here’s one of my favourite photos, featuring Nicolas Maigret from Art of Failure:

I can’t personally comment on what is next in store for GLI.TC/H (GLI.TC/H 2012???), but I’m already planning future, much smaller, glitch art events to take place locally. I’m always up for collaborating on this, just get in touch.

Now time for sleep.

GLI.TC/H BIRM preview: Jon Satrom

Published on 19/11/2011 in Events. 0 Comments Tags: Birmingham, gli.tc/h, glidottcslashh, glitch, hacking, vivid.

GLI.TC/H has started and on Saturday November 19th it’ll be making its way to VIVID in Birmingham, UK! The full programme is available here, and as a PDF. Over the week I’ll be providing a bitesized overview of the upcoming events.

Realtime A/V: Jon Satrom

Jon Satrom presents a prepared desktop performance, where he uses the operating system itself as an instrument:

Bio

Satrom spends his days fixing things and making things work. He spends his evenings breaking things and searching for unique blips inherent to the systems he explores and exploits. Satrom teaches a course on Glitch Art at the School of the Art Institute of Chicago, runs a creative web and video studio called Studio Thread, performs real-time audio/video, creates colorful glitch-ware, and is involved in various collective online and offline new-media efforts.

Realtime A/V: Art of Failure

Nicolas Maigret of Art of Failure will perform 8 Silences, which is a completely audio-only performance:

8 silences offers a sensible representation of Internet by broadcasting audio streams that travel and reverberate trough the web. Initially silents, the streams progressively incorporate an infinity of transformations or “errors” that modify the sound as it circulates on the network. These alterations are comparable to a form of erosion caused by the network space – they are a key to allow different mental representations of this digital topography. Presented as a live performance, 8 silences is a sound immersion in the heart of data flows.
8 silences is a live piece made from mixing together several silent ogg and mp3 stream loops with different quality settings (error corrections are bypassed). Each loop is going to a different location on the globe, and then coming back to the location of the concert venue. Performers stand with a laptop in different parts of the venue (non scenic performance). The audio streamloops are exchanged in wifi around the public.

Here’s the audio from a performance of 8 Silences in Paris in 2010:
Art Of Failure : 8 silences live @ IRL Paris 2010 by artoffailure

Bio

The imperfections allow to identify a medium, in the style of glass becoming visible by the accumulated dusts and scratches. Within the ART OF FAILURE collective, Nicolas Maigret and Nicolas Montgermont experiment the capacity of the contemporary technologies to generate specific sound or visual languages. In their realizations, the internal characteristics of the media are revealed through their errors, dysfunctions, borderlines or failure threshold, which they develop sensory and immersive audio visual experiences.

Realtime A/V: Minuek and Chromatouch

The second of our Realtime A/V performances comes from UK-based VJs Minuek and Chromatouch. Here they are as a part of the VJ collective Freecode earlier in the year:

Bio

Minuek is a UK based Audio Visual artist. Starting out doing video for the Brighton based Wrong Music label. He has worked doing live visuals at various festivals and events around the UK. Performing Audio Visual sets since 2008 working with node based creation tools. He is part of the Freecode Audio Visual collective, a group of artists exploring realtime audio and video that started from a performance at the ÊExyzt ‘Burningham’ installation at this years Fierce Festival in Birmingham. The collective have performed various shows in unique locations over the intervening months.

Bio

leon trimble goes under the name chromatouch and has been tweaking digital stuff since the last millenium. starting making music on amigas in the early 90s he progressed to noodling with graphics and 3d animation. by the time the millenium bug failed to materialise he’d started using pcs and become a web designer. video editing and photography had taken hold of his creative bent by this time and he started making visuals for dance clubs. having become fairly popular locally and further afield he started turning to more artistic avenues using his skills to express leftfield ideas of light.