The production of Othello is going really well. We’re four performances in and have already received positive reviews from the Guardian, Telegraph and Times and generally positive reviews from friends and attendees.
Othello chorus. Photo by Fiona Cullinan
Unless you have bought a ticket unfortunately there’s no way to see it as all of the tickets have now sold out, but that only reiterates the popularity of the productions by the Birmingham Opera Company.
I’ve been to their last two productions (La Traviata and Idomeneo) and, after a bit of coaxing from friends and loved ones, I decided to take part in Othello. So, why am I doing it? I’ve been known to dabble in acting occasionally but this venture requires an additional set of skills that I’m not really known to have. There’s one main overriding reason why I’m doing it:
It’s fun.
Sure, it looks good to have Birmingham Opera Company on my CV, but in my overall goal to become more of a software/digital artist I feel being part of the opera only indirectly helps. If you’re an aspiring performer or singer then you should already know why you should be part of this
My main point is that regardless of what background you’re from there’s a lot to be learnt and a lot of fun to be had. You’ll meet a great range of people, learn what goes into making a production and may discover a hidden singing or acting talent.
So, I’ll see you at rehearsals for the next production next year!
You may have noticed that in my previous post there was a nice little image of the Bull Ring Bull. I did that! Before I go on, it’s not an image that will be used for Birmingham’s City of Culture bid (though if you really like it monies plz). It’s more an image just to represent the work that we’re doing to collect opinions of Birmingham.
Although not a completely original concept (Andy Warhol anyone?) I have utilised a few newly found techniques to create it. Whilst the results, and indeed databending as a whole looks cool I have yet to use it in any real world situations. Until now that is.
To begin I found an image of the Bull and cut it out of the background. I then took it into Inkscape and used the Trace Bitmap function (Alt + Shift + B) and traced it several times using different settings. I saved svgs that scanned for several different colour values. After saving a copy of the original I basically databent it i.e. replaced some numbers with other numbers using a text editor. I’ve described this process in a lot more detail in this earlier tutorial.
I still did manipulate the image afterwards (a bit of shifting of layers and colour/opacity adjustments), but the overall random effect was achieved this way. Here’s how the others turned out:
And now we wait to see if we actually become City Of Culture
On Thursday 5th November I was once again part of The Family for The Event. There’s something I really like about dressing in dungarees – which I haven’t done since I was about 10 – and marching around Digbeth! Other highlights include dropping in on an event about saftey in the community where we rescued some puppets and eating blue food, which tastes loads better than its plain counterpart
mmm, blue food. Photo by The Family
You can read more about my day with The Family on their website
…we’ll be spending the next 5 days changing our name every 6 hours, wearing hand decorated dungarees, playing thought-stopping games, eating brightly coloured food, asking questions, strengthening our Dantien, collective dreaming, strumming red, yellow, green and blue ukuleles, finding portals, calling rainbows, going to the top, chanting punk meditation, making friends, sleeping in pods, giving out flowers, love-bombing, and having all the fun we can cram into the day.
(Not a cult)
If you came to The Family Fun Day in September you’ll know what we’re all about, but either way come on down!
On Thursday night there was a whole host of cultural events going on in Birmingham. The one that I spent most of my time at was the All You Can Eat Zine event at the Sunflower Lounge hosted by Gallery Of Owls.
Since last year they’ve been regularly making atheir own zine, the GZEAN. Soon after An Endless Supply appeared and from the amount of zines available last night it seems like there is a small, but dedicated zine culture in Birmingham, which is definitely inspiring and reassuring for people looking to start their own.
The general price range was about £2 for a zine, which seems fair. Taking a flick through you could take a guess at how some were produced. For example, you could see that An Endless supply is made on computer with desktop publishing software (and possibly the a.a.s Group zine) whilst ATTA girl and GZEAN are clearly put together by hand. In a way it’s reflective of how times have changed and access to tools increases and learning curves to use software decreases.
There were also a few performances. First up was Richard Peel who did an adaptation of Dracular in about 10 minutes. The two actors mimed to the vocal track which really did make it funnier!
The next that I saw before I had to leave was Pez on drums. He had ambient music going throughout the speakers which he drummed along to. In a rather experimental twist he’d sometimes hit his guitar with his drum stick which worked quite well. Have a look and listen for yourself.
(The sound didn’t come out as expected, but I like it more for that reason)
Going to this event really inspired me to start up a zine again. Midge was right in saying that you can sometimes overthink yourself out of doing a zine and part of it is just getting up and doing it.
I'm a software artist based online and in Birmingham, UK. The work that I do looks at interesting ways in which to interpret data, technology and how it relates to art and the creative sector. For more information look at the Projects page or found out more About Me
