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Back at it again with the Year in Review blog post! As suggested in 2018 this year I have been focusing more on my own independent projects and building my practice. Here’s some of the highlights. January Started January with my first visit to ICLC which was held in Madrid. Myself and Olivia Jack…
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Bcc:, Decoy Magazine’s monthly e-mail subscription programme, ended in 2019. I had made an exclusive artwork for it back in 2018 that was only available to people who subscribed to it, and then in September 2019 at the IRL exhibition at Vivid Projects. If y’all didn’t catch that show here’s my work below: When…
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In this final part of this three-part series I’ll be going over installing Xuan Ye‘s work in the Bcc exhibition. This work posed a similar challenge to Scott Benesiinaabandan’s work. I needed to automatically load a web page except this time I needed to allow for user interaction via the mouse and keyboard. The…
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The next artwork that was challenging to install was Monuments: Psychic Landscapes by Scott Benesiinaabandan. I won’t be showing the full artwork as all of the artworks were exclusive to Bcc: and it’s up to the artists whether they show it or not. On a visual level the basic premise of the artwork is…
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I took a bit of a break from writing the Development Updates. September was pretty busy with Bcc: (more on that below) and then I was completing a commission for Will’s Kitchen/The Shakespeare Birthplace Trust and preparing for my solo exhibition, We Are Your Friends. With all of that now completed I’m writing a…