Bcc:, Decoy Magazine’s monthly e-mail subscription programme, ended in 2019. I had made an exclusive artwork for it back in 2018 that was only available to people who subscribed to it, and then in September 2019 at the IRL exhibition at Vivid Projects. If y’all didn’t catch that show here’s my work below:
When you identify something toxic in your life you recoil from it, only to be drawn back in again and again. Addictions and Habits is inspired by how technologies built on the idea of enriching our lives have only amplified our anxieties and made us more physically and emotionally vulnerable
Here’s the really nice essay from Lauren Marsden which accompanied the release of the artwork:
This month, we are very honoured to be featuring UK-based artist and curator Antonio Roberts. With an extensive body of work that entangles glitch, appropriation, sculpture, screens, digitalia, and interaction, he is well suited for the task of questioning and confronting the limitations of copyright law and the corporate appropriation of cultural aesthetics and technologies. Here, with Addictions and Habits, we can imagine either side of the issue. For one, the hand of the creator that opens itself freely to the gesture of sharing, remixing, re-circulating (ad infinitum), and then, perhaps, the other hand—the one that closes the deal, signs the cheque, gives a comforting pat on the back, or plucks an idea out of the ether to secure its containment and regulation. Within this paradox, we enjoy the exuberance of Antonio’s work and see a space for liberation among his many fragments and shatters.
Thanks to Lauren Marsden for including me in Bcc: 🙂