AlphabeNt: Experiments from A–Z

AlphabeNt, the book which I wrote the foreword for and spoke briefly about at GLI.TC/H 2112, is out now for either $30AUD or $70AUD (special edition)

AlphabeNt: Experiments from A–Z presents the 26 characters of the Latin alphabet as you haven’t seen them before: broken, distorted and aesthetically corrupted using digitally destructive techniques not usually found in the designers handbook. Co-authors Drew Taylor and Daniel Purvis created the characters using audio editing software such as Audacity, using standard text editors, by overloading flatbed document scanners, shaking iPhones and kicking computer tables.

Glitch art, and offshoot ‘databending’, is not unusual and is often featured in modern design. However, AlphabeNt presents one of the first professionally published glitch art books specifically designed to take use of glitch techniques in conjunction with the best modern digital printers and specialist paper stocks.

AlphabeNt

AlphabeNt

AlphabeNt

AlphabentPortfolio-7

Paper sponsor, K.W.Doggett Fine Papers, provided K.W.Doggett Curious Metallics Digital – Ice Gold 300gsm stock for the printing of the cover and a set of 26 cards featuring the characters from the book. Printed by Kwik Kopy Norwood using an advanced HP Indigo digital printer, the characters from the book are brought to life through the combination of ink, metallic paper and are provided depth as they shimmer under light. This book demonstrates the power and flexibility of digital print techniques paired with the correct paper stock.

Says Daniel Purvis, founder of Adelaide-based publishing house Stolen Projects and co-author of AlphabeNt: Experiments from A–Z:

I’m extremely excited to present this collection of corrupted digital characters. It has always been the intent of Drew and I to print our digital experiments for two reasons. First, to give legitimacy to the digitally corrupt artwork we’ve created, which is so often overlooked on the electronic screens. And second, to demonstrate the power and weight of print in an age that relies so heavily on digital techniques.

AlphabeNt: Experiments from A–Z is available as a standalone book for $30AUD, featuring foreword by British glitch aficionado Antonio Roberts of https://hellocatfood.com, introduction by Daniel Purvis and Drew Taylor, and process description accompanying each of the characters.

A Special Edition of AlphabeNt: Experiments from A–Z, extremely limited to only 26 copies, is also available for $70AUD. The Special Edition features the full set of 26 cards, the AlphabeNt: Experiments from A–Z book, packaged in a special handmade box custom designed by Adelaide-based Chasdor Bindery.

Books will be available for purchase at launch and via Stolen Projects website as of Tuesday 26 February.

A special launch video has also been created by British glitch artist Antonio Roberts. Roberts remixes the entire set of 26 AlphabeNt characters produced by Drew Taylor and Daniel Purvis into a 1 minute 18 second animation backed by the music of Australian glitch musician Ten Thousand Free Men & Their Families (http://10kfreemen.com).

AlphabeNt launch video

AlphabeNt, the book that I presented at GLI.TC/H 2113, is having its official launch party on 26th February at the Magazine Gallery in Adelaide, South Australia. I won’t be there, unless someone can lend give me £1200. Here’s a lil video I made using remixed images from the book.


Music is by Ten Thousand Free Men & Their Families

GLITCH COP!3R

I recently got a very nice package in the post all the way from Australia! Drew Taylor (aka bowsneak) sent me a package of art and zines, one of which was GLITCH COP!3R

GLITCH COP!3R

GLITCH COP!3R

[GLITCH COP!3R] was created as part of Sticky Institutes Target 168 2012 zinemaking challenge, in which a zine had to be created within 168 hours (1 week). The ‘secret’ theme for the challenge was ‘C3100 photo copier’.

All of the images in this zine were ‘stolen’ from the internet, and glitched to produce ‘a new work’. Images were selected from Google image search using the phrase ‘c3100’. It was maintained that the file name of each image must include the letter ‘c’ and the number ‘3100’. The masthead of the zine – titled ‘GLITCH COP!3R’ – also includes the alphanumeric ‘C3100’ (the ‘O’ is made up of an ‘O’ and a zero).

GLITCH COP!3R

GLITCH COP!3R

GLITCH COP!3R

GLITCH COP!3R

If you take another look at the front page you’ll notice that the font used in the masthead is Dataface. I think this is the first time that someone – other than me – has used the font for a project!

Zines!

I was also sent lots of other zines including many issues of Death-Beam Dinosaurs, which you can download and print for yourself

A grid of Death-Beam Dinosaur zines

Thanks again for the zines!

Speaking of zines, Birmingham Zine Festival is coming back again later this year.