Permission Taken at University of Birmingham, 2nd March - 30th May
I’m happy to announce that the second part of Permission Taken will be taking place from 2nd March - 30th May at the Bramall Music Building at the University of Birmingham
This exhibition displays work by Antonio Roberts created during his 2014/15 artist-residency at the University of Birmingham. Roberts focused on issues surrounding copyright, permission culture and art: issues which become ever more pertinent as online communities become more prolific and harder to police.
Description: A short audio visual journey exploring abstract narrative, movement, shape, colour, non verbal expression and spatial awareness. Sounds sourced from “The Octophonic Loop System"8.1 sound installation by Bobby Bird /Modulate, commissioned by Francisco Lopez.
A stupid joke, told badly.
Appropriated Phil Morton video, twisted and built through analog video mixers
> Applying reality safeguards… > Discarding morality values… > Deactivating motivation protocol… > Accessing Internet Database… > Initialising… > Ready.
Glitches interrupt the smooth realism of our mediated experience of the everyday world, from malfunctioning train announcement boards to distorted video streams and white noise in our phone calls. But is it only machines that glitch, or does ‘glitching’ exist in nature too?
Following a group shows’ theme of “home in the digital age”, Approach utilizes 3D modeling software to create a private digital sculpture garden textured, in part, with personal screenshots.
Tracert (pronounced trace route) is an examination of how traditional craft ideas translate into the modern multi-media networked world. A sampler has been cross-stitched by hand from a transposed graphic of a tracert DOS command.
Cityscape #46 image is from a series of GIF based images that are made to resemble city skylines, the images are created using digitally broken image files