Happy to announce that my second solo exhibition, We Are Your Friends, will be taking place from 11th - 27th November at the Czurles Nelson Gallery at Buffalo State University, NY.
There’s a reception on 14th November 17:00 - 19:00 and I’ll be present in Buffalo from 11th - 17th. Come say hi! Many thanks to Brent Patterson for making this happen :-)
On 11th May I’ll be conducting a curator’s tour of the No Copyright Exhibition currently on at Phoenix in Leicester
Join No Copyright Infringement Intended curator Antonio Roberts for a guided tour of the exhibition, followed by a chance to ask questions about the show. The tour will be preceded by a short presentation called Ctrl + C, looking at the one-way system of cultural appropriation by corporations.
The tour is free to attend. No booking necessary.
I’m happy to announce that I’ll be curating the No Copyright Infringement Intended exhibition at the Cube Gallery at Phoenix, Leicester, taking place from 7th April - 21st May.
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Image: Still Not Sure if Art or Copyright Infringement by Emilie Gervais[/caption]
No Copyright Infringement Intended is a group exhibition exploring the relationship between copyright and culture in the digital age, investigating how the concept of ownership and authorship is evolving and coming into conflict with outdated copyright and intellectual property laws.
Here’s a selection of photos taken by Pete Ashton for Dirty New Media.
Dirty New Media took place on Thursday 21st March at The Barber Institute of Fine Arts. It was one of the most adventurous exhibitions that I’ve curated!
Thanks go out to:
Here’s a list of all of the works/pieces/artists included in the programme, should you want to check out more:
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival.
The invisibility of various technologies, interfaces, and wares, via their often seductive and seamless interfaces, fosters a kind of cultural ocularcentrism[1] vis-a-vis capitalist consumerism. Dirty New Media (DNM) seeks to disengage our perception of screen-based activity from the two-dimensional, and critique material production of objects and systems that produce, curate, and guide reception of various texts.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Dirty New Media // REVOLUTION 02
THURSDAY 21 MARCH | 4-10PM | THE BARBER INSTITUTE, BIRMINGHAM
An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Description: A short audio visual journey exploring abstract narrative, movement, shape, colour, non verbal expression and spatial awareness. Sounds sourced from “The Octophonic Loop System"8.1 sound installation by Bobby Bird /Modulate, commissioned by Francisco Lopez.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
A stupid joke, told badly.
Appropriated Phil Morton video, twisted and built through analog video mixers
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
> Applying reality safeguards… > Discarding morality values… > Deactivating motivation protocol… > Accessing Internet Database… > Initialising… > Ready.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Glitches interrupt the smooth realism of our mediated experience of the everyday world, from malfunctioning train announcement boards to distorted video streams and white noise in our phone calls. But is it only machines that glitch, or does ‘glitching’ exist in nature too?
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
An optical theremin is a motion-operated instrument, based on an LM386 op-amp chip, we’ll be building them from scratch, learning the basic principles behind audio manipulation using voltage, and making some unholy racket! No soldering experience necessary.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Following a group shows’ theme of “home in the digital age”, Approach utilizes 3D modeling software to create a private digital sculpture garden textured, in part, with personal screenshots.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Tracert (pronounced trace route) is an examination of how traditional craft ideas translate into the modern multi-media networked world. A sampler has been cross-stitched by hand from a transposed graphic of a tracert DOS command.
Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.
Cityscape #46 image is from a series of GIF based images that are made to resemble city skylines, the images are created using digitally broken image files
An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!
This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.
BYOB Birmingham happened on Friday 16th March and it was a great success! For those who like statistics, in the end the event had 18 artists (plus videos from VIVID’s archives), 22 beamers, and nearly 200 people attend.
My thanks for making the night awesome go to:
Be sure to check out the artwork from all of the exhibiting artists: Alan Brooker, Ewa Mos, Daisy Hogan, Antonio Roberts, Chris Plant, Modulate, James Warrier, Sarah Rose Allen, Paul Harrison, Kate Spence, Elizabeth Howell, Soraya Fatha, Leon Trimble, Michael Lightborne, Matt Murtagh, Pete Ashton, AAS
After a few hiccups at the post office the catalogues from some exhibitions and festivals where my work was shown have arrived!
What is your glitch? 1bitgifavibmpbmpcmykbmprgbjpgmpgpcxpixpngppmsgisvgtgawebp was shown alongside a host of really awesome glitch videos at Leeds International Film Festival last November.
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This week I’m putting together a piece for an exhibition in Second Life and Eastside Projects:
Changing Room is an evolving mixed-reality installation that considers the inherent mutability and reusability of artefacts, concepts and situations in the Digital Age. Lead artist Michael Takeo Magruder will collaborate with Extra Special People artists Ana Benlloch, Iona Makiola, Antonio Roberts, Lee Scott, Zhao Wei and Selma Wong to develop a new collaborative space.
Blending the shared virtual environment of Second Life with the shared physical environment of Eastside Projects, the artwork will facilitate the realisation, curation and documentation of seven distinct - yet interrelated - art projects arising from a common pool of virtual and physical resources.
a.a.s did a performance at the Crowd6 event Mingling and Mistletoe on Saturday evening. It involved us dancing around a Christmas tree whilst vaguely chanting the theme from a popular product and then spewing our guts all over the tree. We then crawled back to our cave whilst blood dripped from our guts creating a pool of festive gore for onlookers to gaze at. Wonderful!
Here’s a video of the performance courtesy of Ana Artstalking (who’s review you can read here). Enjoy!