Post-Modern Plant Life – A week at Jephson Gardens

From 9th-15th June I was one of the participating artists in residence at Jesphone Gardens in Leamington Spa for Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory. This was a really great opportunity to do a lot of focussed work on some unfinished projects and also try out new things both on and off the screen. I also probably lost some weight due to how frikkin hot it was!

Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory

I started off the week exploring the space and exactly what was available to me. It turns out this wasn’t much. Not even wifi was available! Initially this was a negative thing but it allowed me to *checks Facebook* do work without *checks Twitter* the constant interruptions *checks Tumblr* of social *checks e-mail* media and other distractions.

Feedback Plants

Continuing my theme of feedback loops that has been present in my latest works – especially in my VOID performance – I wanted to somehow feed the either the audio of visual aspect of the space back on itself. Some time ago I had bought these rather inexpensive sound recording modules from the internets. My idea was to use an array of these, connected to Pure Data by way of a Raspberry Pi, an Arduino and Pduino, to record and play back sounds within the space and random intervals.

Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory

As with a lot of things in technology, this was easier said than done. I was able to successfully trigger the recording process on the module, but triggering the playback would work intermittently. I may have even destroyed a few of these modules in the process! After this frustration, which came after a few days of trying, I decided to move on. Maybe one day I’ll revisit it.

Digital Maps

Without provocation or any initial plans for using it, I brought with me on the first day my Game Boy Camera. I find there to be a certain charm to the way it produces incredibly low quality pictures in only eight shades of grey. Even its bulkyness and effort involved in transferring photos apepeals to me. I started my research by taking a bunch of photos of things in the space:

I then began to wonder how else I could pixelate/8-bit-ise not only Temperate House but the whole of Jephson Gardens. A friend pointed out to me that Codemasters have a base in Southam, just outside of Leamington Spa, and also that they made the awesome Micro Machines game. Rad!

Not sure where this is going yet? At the time neither did I.

Using the rather crudely named Tile Molester software I extracted the 8x8px tiles from the NES version of the game and used them to pixelate a map of Jephson Gardens obtained from OpenStreetMap. The technique I used relies on dithering using symbols in ImageMagick. Here are a few examples:




And one using the Game Boy Camera picture pixels as an input source:


Playing Pixels

To end my experiments, and the residency, I returned to my very recent studies of sonification of pixels. Using pictures of stuff within Temperate House as a source, I cropped a sqaure area from these photographs, reduced them down to 128x128px and then reduced them to 15 colours (or less, depending on how many unique colours there were in the cropped image). Here are a few examples, with the original, crop, and colours all composed into one image:

Jephson Gardens

Jephson Gardens

Jephson Gardens

If you’re curious how I overlayed the colours onto the image check out the code yourself.

Using a modified version of the Pixel Waves software I opened up to four of these images at a time and let them make lots of noise for around ten minutes. An excerpt from my performance:

The new software, called Pixel Player, is available on my Github account but is still being developed. Patches welcome!

Stuff grows

I learnt many things in this week. Among them rapid development was probably the most important skill that I developed. Having very limited internet access meant that time at home was spent downloadling libraries and software so that I could have a productive time the following days. Also, a week really isn’t a long time to develop anything substantial, and so I opted for projects that could be completed in hours and not days.

Thanks to Ryan Hughes/[RHP] CDRs for inviting me to participate!

Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory – 9th – 15th June

From 9th – 15th June I’ll be taking part in Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory in at Jephson’s Gardens in Leamington Spa:


Post-Modern Plant Life: An [RHP] CDRs Artist Laboratory will provide an opportunity for a group of practitioners from fields including contemporary art, experimental music and academia to spend time together in the unique setting of The Temperate House in Leamington Spa’s Jephson’s Gardens to see how their respective practices can interact with each other and with the visually exciting and complex space.

The practitioners will be encouraged to make new work or to further develop existing projects within this new context with the intention of presenting the results to the public over the Leamington Spa Peace Festival weekend.

  • 9th – 13th: Development Period. (This will not be specifically public facing but will be taking place with the public around).
  • 11th: Open Studio. (This is an opportunity for the public to speak to the participants and to see works in progress). 10:00am – 5:00pm.
  • 14th – 15th: Presentations. (This may be an exhibition, performances, talks or something else. This is public facing and will be existing alongside Leamington Spa’s Peace Festival). 10:00am till 5:00pm both days.

I’ll be one of seven artists taking part, the others being Ryan Hughes (duh), Jake Watts, Verity Jackson, Richard Scott, Ypsmael, Tapiwa Svosve, Cormac Faulkner and Ana Rutter.

I intend to be there most days during the development period but do prod me on TTwwiitteerr to be sure. I’ll be tweeting my progress over at the #PoMoPLLab hashtag.

MEMIC – Warpaint!

A great time was had at the first salon for the Midlands Experimental Moving Image Collective on Friday 30th November, despite the cold!

Midlands Experimental Moving Image Collective

Midlands Experimental Moving Image Collective

The webcam that I was hoping to use didn’t work with the Raspberry Pi (something the team are aware of) so I had to use my laptop instead. This didn’t present any problems, but it would’ve been good to show off the Raspberry Pi! 😉 Here’s everything that the webcam capture over the three-hour exhibition:

More photos here

MEMIC Film Salon 1: Warpaint! – Friday 30th November

On Friday 30th November I’ll be taking part in the Midlands Experimental Moving Image Collective’s first salon, entitled Warpaint. It’ll be held at Althorpe Street Studios & Gallery in Leamington Spa [map] from 7pm.

MEMIC Film Salon 1: Warpaint!

MEMIC Film Salon 1: Warpaint is the launch event of MEMIC (Midlands Experimental Moving Image Collective). Come along for a screening of a program of artists’ film and video accompanied by an exhibition of moving image installation works. Including work by artists from around the Midlands (many of whom will be in attendance), as well as work by a number of international artists.

I’ll be demoing glitch camera/Open Camera that was developed as part of my residency at in October. It’s a simple script, running on Raspberry Pi, that glitches images from a webcam automatically:

See y’all Friday!