Exhibition Catalogues!

After a few hiccups at the post office the catalogues from some exhibitions and festivals where my work was shown have arrived!

What is your glitch? 1bitgifavibmpbmpcmykbmprgbjpgmpgpcxpixpngppmsgisvgtgawebp was shown alongside a host of really awesome glitch videos at Leeds International Film Festival last November.

Leeds International Film Festival programme

Leeds International Film Festival programme

I'm on the bottom-right, first page


Thanks to John McAndrew for organising the screening and for sending me to catalogue.

The second catalogue comes all the way from Connecticut! I Am Sitting in a Room was shown at a celebration of Alvin Lucier’s life and work last Novemeber (it was a busy month):

Alvin Lucier: A Celebration programme

OMFG an autograph!


Alvin Lucier: A Celebration programme

Thanks to Andrea Miller-Keller at Wesleyan University for curating that part of the show and to Alvin Lucier for signing the booklet!

Alvin Lucier: A Celebration

In Middletown, Connecticut between November 4th-6th? Alvin Lucier: A Celebration, is taking place at Wesleyan University’s Center for the Arts. I Am Sitting in a Room, along with other videos that respond to Lucier’s work of same name, will be screening at the Ezra and Cecile Zilkha Gallery.


This festival, in recognition of Alvin Lucier’s 80th birthday, will include an exhibition, symposium, films and a series of four concerts. The symposium will bring together key composers, musicians and writers to discuss Mr. Lucier’s work and influence.


Alvin Lucier (and His Artist Friends) is a broad overview of the composer’s distinguished career over nearly six decades. This exhibition will explore the nature of Mr. Lucier’s engagement with artists such as John Cage, Sol LeWitt, John Ashbery, Italo Calvino and Lee Lozano. Related works by some of these figures will be juxtaposed with the compositions they inspired. The exhibition will also make the first in-depth exploration of the broad influence of Mr. Lucier’s work I Am Sitting in a Room (1970). Nearly two dozen audio presentations of his compositions, along with a number of performance videos and an interview with Robert Ashley will be featured. Numerous notated and text-based scores, a select group of artifacts from earlier performances, and an extensive variety of archival memorabilia documenting Mr. Lucier’s career to date will be on display. An installation version of Mr. Lucier’s Chambers (1968) realized as a tribute by former students and colleagues will complete the exhibition.

More information on their website or on FB

I Am Sitting In A Room

Inspired by Alvin Lucier‘s I Am Sitting in a Room piece I have taken Dataface one step further

In glitch art we only ever see result of the process of damaging an image, video or sound. Rarely can we observe this process as it happens within the computer in an instant. Using Alvin Lucier’s 1969 piece I Am Sitting in a Room as inspiration, in this piece I show the many steps taken to damage data to the point where it loses all meaning.

Font files are files that attribute a style to the otherwise plain text that we see on screen. The computer treats this only as an attribute of the text and can understand it regardless of what font file is used or how it looks to the viewer.

In this piece I have used a script, created in collaboration with G Bulmer, that explores the font file and damages it by randomising the values that construct each glyph. The computer, doing only what it has been instructed to do, continually attacks the font files’ data to the point where it is sometimes corrupted and not even it can interpret it correctly.

The resulting video shows the gradual damaging of the data. The viewer will struggle to find meaning amongst the visual noise whilst the computer still understands it.

The full text reads:

I am sitting in a room different from the one you are in now. I have typed out this text using a font called Dataface and I am going to randomise parts of the font file’s code and save the results of it again and again, until it’s appearance becomes illegible and the font file is destroyed. What you will see, then, are the effects of randomisation, with the occasional glitch that occurs when the font file is so badly damaged that the computer is unable to read it. I regard this activity not so much as a demonstration of my ability to edit fonts but more a way to eliminate all meaning that this text might have.