No Copyright Infringement Intended

No Copyright Infringement Intended is a group exhibition, curated by Antonio Roberts, exploring the relationship between copyright and culture in the digital age, investigating how the concept of ownership and authorship is evolving and coming into conflict with outdated copyright and intellectual property laws.

Since the 1990s the internet has provided the opportunity for mass copying, redistribution and remixing of content – profoundly changing the way culture is produced and shared and sparking legal battles and debates that still rage on. Today, the increasing availability of technologies like 3D scanning and 3D printing have extended the ability to digitally copy and reproduce to the physical realm.

For many people now, mass sharing, copying and remixing seems like a natural form of self expression. Rather than embracing this change and using it to their advantage, rights holders and lawyers often resort to reinforcing outdated laws – penalising those who copy – and placing barriers on technology’s ability to share information and content freely.

Meanwhile, among artists there is widespread misunderstanding of copyright and how it affects their work. The phrase “No Copyright Infringement Intended” is often used as an attempt to avoid repercussions of copyright infringement. The phrase has no legal standing, but its widespread usage shows a lack of awareness of existing laws and the consequences of breaking them.

Featuring 10 national and international artists working across a range of creative practices, the exhibition highlights the ongoing tension between production and copyright, considers the new artistic, social and political possibilities created through this tension and suggests new ways forward for artists, rights holders and the wider creative community.

The exhibition includes work by Nick Briz, Emilie Gervais, Nicolas Maigret, Christopher Meerdo, Jan Nikolai Nelles & Nora Al-Badri, Duncan Poulton, Fernando Sosa, Andrea Wallace & Ronan Deazley

Curated by Antonio Roberts for Phoenix Leicester and Vivid Projects. Supported using public funding by Arts Council England.

Short Circuit – Terminal 3

Short Circuit is an ambitious international touring group show devised by British Independent Curator, Aly Grimes, and consists of ten new media artists and collectives in an attempt to re-assess the archetypal framework of a travelling exhibition. It proposes a new experimental model of display realised in three different locations across Europe to include Birmingham, Venice and Copenhagen. The project’s structure aims to investigate new ways that exhibition spaces can present touring shows in the Digital Age and will manifest as a highly experimental research project susceptible to failure. It might glitch, trip, malfunction or ‘short circuit’.

No Copyright Infringement Intended Curator’s Tour, 11th May

On 11th May I’ll be conducting a curator’s tour of the No Copyright Exhibition currently on at Phoenix in Leicester

Join No Copyright Infringement Intended curator Antonio Roberts for a guided tour of the exhibition, followed by a chance to ask questions about the show. The tour will be preceded by a short presentation called Ctrl + C, looking at the one-way system of cultural appropriation by corporations.

The tour is free to attend. No booking necessary.

There will be two tours on the day taking place from 13:00 – 14:00 and 18:00 – 19:00. This will be a great chance to ask questions about the works and curatorial decisions. See you there!

No Copyright Infringement Intended

No Copyright Infringement Intended is a group exhibition exploring the relationship between copyright and culture in the digital age, investigating how the concept of ownership and authorship is evolving and coming into conflict with outdated copyright and intellectual property laws.

Since the 1990s the internet has provided the opportunity for mass copying, redistribution and remixing of content – profoundly changing the way culture is produced and shared and sparking legal battles and debates that still rage on. Today, the increasing availability of technologies like 3D scanning and 3D printing have extended the ability to digitally copy and reproduce to the physical realm.

For many people now, mass sharing, copying and remixing seems like a natural form of self expression. Rather than embracing this change and using it to their advantage, rights holders and lawyers often resort to reinforcing outdated laws – penalising those who copy – and placing barriers on technology’s ability to share information and content freely.

Meanwhile, among artists there is widespread misunderstanding of copyright and how it affects their work. The phrase “No Copyright Infringement Intended” is often used as an attempt to avoid repercussions of copyright infringement. The phrase has no legal standing, but its widespread usage shows a lack of awareness of existing laws and the consequences of breaking them.

Featuring 10 national and international artists working across a range of creative practices, the exhibition highlights the ongoing tension between production and copyright, considers the new artistic, social and political possibilities created through this tension and suggests new ways forward for artists, rights holders and the wider creative community.

The exhibition includes work by Nick Briz, Emilie Gervais, Nicolas Maigret, Christopher Meerdo, Jan Nikolai Nelles & Nora Al-Badri, Duncan Poulton, Fernando Sosa, Andrea Wallace & Ronan Deazley

Curated by Antonio Roberts, a new media artist and curator based in Birmingham. Kindly supported by Arts Council England

Dirty New Media photos

Here’s a selection of photos taken by Pete Ashton for Dirty New Media.

DNM Minuek performance 01

DNM Circuit Ben performance 02

DNM Lobby

DNM Exhibition 09

DNM Exhibition 03

DNM Dan O'Hara Lecture 04

DNM Circuit Ben Workshop 10

The full album can be seen here. If you took any photos or videos please upload them and tag them with “DNM” and “Dirty New Media”. Or just send them to me and I’ll upload them 😉

Dirty New Media

Dirty New Media took place on Thursday 21st March at The Barber Institute of Fine Arts. It was one of the most adventurous exhibitions that I’ve curated!

Thanks go out to:

Here’s a list of all of the works/pieces/artists included in the programme, should you want to check out more:

Exhibition

Benjamin Gaulon [aka Recyclism]- KindleGlitched
Jeff Donaldson – 16bit Edition Glitch Scarf – source: Atari ST emulator read error
Dec Ackroyd – Cityscape #46
Jason Soliday – Harbinger Variations
Charlotte Frost and Rob Myers – #arthistory
Kate Pemberton – Tacert
Jamie Boulton – C:\Users\5629a7\Pictures\IDDisplay.jpg
URRRGH – __KWEEN_CLARISSURRRGH, __YOUCHOOB_4_EVA, __ALADDINZ_CAT
Stef Lewandowski – Data Necklace

Super Special Essay

Shawne Holloway + Steven Hammer – 1_approach.dnm: (inter)active viewership in dirty new media. The whole text can be read in the Dirty New Media programme

Lectures

Jon Cates – WTF?! is D1RTY N3W M3DI∆?!
(For those that didn’t get one, Jon’s PDF, 1337 ¥³4Γ$ øƒ D1RTY N3W M3DI∆: 2005 – 2012 CH1C∆Gø, can be downloaded from GL1TCH.US)
Dan O’Hara – An Irregular and Spasmodic History of Glitches and other Systemic Stutterings

Screenings

(in order)
Modulate- O>L>S
Nick Kegeyan – i went home this winter (or my friends, lights, a game, and the last time i saw my childhood home)
Antonio Roberts – I Am Sitting in a Room
Carrie Gates – A portrait of a portrait of a portrait of nn
Bryan Peterson – [Dirty] inputs/processes.outputs
Theodore Darst – Approach
Jennifer Chan – [[[ I’ll Show You HD ]]]
Kevin Carey – OTC/DXM [256_l4y3rz_0v_sYrVp_r3m1xxx]
Sian Macfarlane – /ˈzi(ə)rˌäks/ (xerox)
Michael Lightborne – What Did The Duck Say To The Pig?

A/V Performances

Minuek
Norah Lorway
Circuit Ben

There’ll be videos appearing soon, but in the meantime check out the photos from Pete Ashton:

DNM Exhibition 10

DNM Circuit Ben performance 01

DNM Jon Cates Lecture 02

Till next time…

Dirty New Media preview: 1_approach.dnm: (inter)active viewership in dirty new media

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival.

Super Special Essay

Shawne Holloway + Steven Hammer – 1_approach.dnm: (inter)active viewership in dirty new media

The invisibility of various technologies, interfaces, and wares, via their often seductive and seamless interfaces, fosters a kind of cultural ocularcentrism[1] vis-a-vis capitalist consumerism. Dirty New Media (DNM) seeks to disengage our perception of screen-based activity from the two-dimensional, and critique material production of objects and systems that produce, curate, and guide reception of various texts.

keithdoddshellocatfood

In this way, DNM is both responsive and anticipatory to the proliferation of a culture uncritically enamoured with digital/web/device-being. By absorbing a wide array of amateur and artisan generated media artifacts, the (anti)genre “once anticipated and now brings us”[2] a form of technophenomenology, a cyber-ouroboros, allowing fluidity between our consciousness and digital media. This recursivity begins to weave a distinctly humanistic[3] perspective alongside the non-human data streaming from network to network, window to window.

[[[Read the whole essay in the Dirty New Media programme, available on the day]]]

Meta

Dirty New Media // REVOLUTION 02

THURSDAY 21 MARCH | 4-10PM | THE BARBER INSTITUTE, BIRMINGHAM

An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!

This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.

Free admission, no booking required. Dirty New Media. For further information and times, please contact 0121 414 2261 or email education@barber.org.uk. Facebook event link.

dnmani

Dirty New Media preview: A/V Performances

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

AV Performances | 7-10pm

Minuek


Circuit Ben


Norah Lorway


Meta

Dirty New Media // REVOLUTION 02

THURSDAY 21 MARCH | 4-10PM | THE BARBER INSTITUTE, BIRMINGHAM

An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!

This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.

Free admission, no booking required. Dirty New Media. For further information and times, please contact 0121 414 2261 or email education@barber.org.uk. Facebook event link.

dnmani

Dirty New Media preview: Screenings part 3

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Screenings | 6-7pm

Michael Lightborne – What Did The Duck Say To The Pig?

michaellightborne_videoA stupid joke, told badly.

Bryan Peterson – [Dirty] inputs/processes.outputs

bryanpeterson_videoAppropriated Phil Morton video, twisted and built through analog video mixers

Sian Macfarlane – /ˈzi(ə)rˌäks/ (xerox)

sian_videoA copy of a copy; partially reconfiguring x-traterrestrial digital glitch.

Jennifer Chan – [[[ I’ll Show You HD ]]]

jenniferchan_videoNew Media A-Z

Meta

Dirty New Media // REVOLUTION 02

THURSDAY 21 MARCH | 4-10PM | THE BARBER INSTITUTE, BIRMINGHAM

An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!

This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.

Free admission, no booking required. Dirty New Media. For further information and times, please contact 0121 414 2261 or email education@barber.org.uk. Facebook event link.

dnmani

Dirty New Media preview: Screenings part 2

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Screenings | 6-7pm

Modulate – O>L>S

modulate_videoDescription: A short audio visual journey exploring abstract narrative, movement, shape, colour, non verbal expression and spatial awareness. Sounds sourced from “The Octophonic Loop System”8.1 sound installation by Bobby Bird /Modulate, commissioned by Francisco Lopez.

Carrie Gates – A portrait of a portrait of a portrait of nn

carriegates_videoThe images for this work were created in 2003 for a project where Carrie used a piece of OS9 software art by Adrian Ward called “A portrait of Netochka Nezvanova” to create a generative video collage of a collection of over 10 000 .psd files Carrie had prepared on the topic of “cyberculture”. This video is the remix, prepared in Feb. 2013 for an online exhibition by Ellectra Radikal and Systaime Alias Michael Borras at http://cupcake.spamm.fr/.

Kevin Carey – OTC/DXM [256_l4y3rz_0v_sYrVp_r3m1xxx]

kevincarey_videoIn response to an increase in works inspired by DJ Screw’s chopped & screwed sound and the surrounding culture, this piece looks to subvert the smoothness and fluidity of the recent aesthetic focus within the underground rap community. What results is a frustrated trip – a dirty, murky exploration of over the counter and beyond.

Meta

Dirty New Media // REVOLUTION 02

THURSDAY 21 MARCH | 4-10PM | THE BARBER INSTITUTE, BIRMINGHAM

An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!

This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.

Free admission, no booking required. Dirty New Media. For further information and times, please contact 0121 414 2261 or email education@barber.org.uk. Facebook event link.

dnmani