Digital artists Michael Lightborne and Antonio Roberts present a live audio-visual collaboration combining wonky dance music and visuals programmed in real time.
Supersonic Festival in association with the Hare & Hounds 10th Anniversary Series Present
Steve Davis (DJ Set)
with support from
Graham Dunning – Mechanical Techno Set
Visuals from Hellocatfood
Tickets from https://www.skiddle.com/whats-on/Birmingham/Hare-And-Hounds/Super-Sonic-Festival-Presents-Steve-Davis-(DJ-Set)/12910549/
Steve Davis – the legendary sporting phenomenon from the 80s who took snooker to new heights and as presenter of The Interesting Alternative Show on Pheonix FM brought prog and jazz oddities to his cult audience, now turns his hands to the decks. As a hobby which he claims has spun out of control, his notorious 2016 Glastonbury set at the 500 capacity Stonebridge bar was mobbed by a curious turned shocked and enthralled crowd. With a packed out DJ diary since, Steve has continued to woo party goers from Bluedot to Bloc Festival. Drawing from an eclectic array of influences: Magma, Caravan, Oscar Perry, Soft Machine and Gong to name but a few – Steve spins together a unique set in his quest to deliver the music he loves to lovers of the party.
‘Thinking Out Loud’ is the fifth Data as Culture art exhibition at the Open Data Institute. The exhibition is built around the practice of the 2016 ODI Sound Artist in Residence, Alex McLean, with a group of artists, designers, makers and musicians that he has collaborated with. Openness and processes of making – where any end results are left partly undone – are at the heart of many of the projects on display. The exhibition draws connections between the ways in which humans have captured, encoded and distributed data, and made it meaningful through pattern throughout history. From pre-Columbian Quipu and the ancient art of weaving to computer software environments, it introduces us to creative notions of code, and the ways in which it can carry both language and thought.
The exhibition features artists and makers who are driven by radical intentions to expose the inner workings of the systemic structures we live with. We are encouraged to engage with these ourselves through art, software, folk songs, glitch aesthetics, chance encounters and knitted jumpers.
Artists: Felicity Ford, David Griffiths and Julian Rohrhuber, Ellen Harlizius-Klück, Dan Hett, David Littler, Alex McLean, Antonio Roberts, Sam Meech, Amy Twigger-Holroyd
Curated by Alex McLean and Hannah Redler
The live-coding future fun has so far shown up in places such as Tokyo, Barcelona, Sydney, Sheffield, Toronto, London, Amsterdam and Porto. Come the end of the month, some of the scene’s main proponents will converge on the Old Police House in Gateshead.
There’ll be other things popping off around the house too.
Suggested donation £3
Bring Your Own
Algorave breaks down the artificial barriers which many types of music-making software bring, allowing musicians to compose and work live with their music as algorithms. This is no new idea but Algoraves’ focus on humans making and dancing to music leads to a good party.
On Thursday 4th February I was Stoke-on-Trent for BitJam. I still don’t have anything ready to show on stage but thought I’d use the night as a testing ground for some of my ideas. I wanted to investigate ways in which to interpret what was happening around me. The main performance of the night was from a chap called Arctic Sunrise
For my first test I fired up Alchemy and attempted to draw the music. Alchemy fortunately has a few tools that can make your sketches react to sounds. They are Create > Mic Shapes and Affect > Mic Expand. Here’s the result of using both of them together
And a nice little animation of those done using GIMP and Openshot.
The next method was to use the Echobender script on a webcam pointing at the stage. Obvious errors in the sound recording actually kinda complimented the video. However, I’m a lil bit disappointed by the speed of the script at the moment. I may investigate doing something similar in Processing.
The final method involved a bit of post-processing. I made a short compilation of clips I shot at BitJam and then opened the video in a text editor and replaced loads of text with other text. The output was then reencoded using Avidemux
So, there you have it! Now to figure out how I can turn this into some sort of performance
I need to get more done on my vjing work. So far I’ve done very little of it, and even less djing. I’ve been messing around with Pure Data, Xaos and Processing in an attempt to get some live processed images, and I’m now taking a peek at Ben Neal‘s
Phlumx software, but what I wonder is if I need to go look at more professional software…
Here’s a sample of what I’ve done. It was for a project at university to create a video about ‘Speed’ (created in Adobe Premier).